Monday, December 30, 2019

Sweeping



Sweeping

Only brooms
Know the devil
Still exhists,

That the snow grows whiter
After a crow has flown over it…

                                                Charles Simic
                                                Brooms

Maybe sweeping  becomes innate
when heaping the random bits and blow-
ins make the way as safe coming
as they do going.  It’s how
you welcome a guest, by the pristine

boarders you keep, these and your
crisp invitations:
see the lines are straight and safe
to my door and to the warm
way in.  It takes years

of practice.  Of heaving off detritus.
Of watching for the snow you’ll event-
ually shove off, all those flakes that fall, fall, fall
all winter gathering just to take
themselves into the melt of spring

to make monuments for the sky who has
offered so liberally of herself,
and to shape them like they are understood
all along, even, especially, as they melt
away,  the way a bear melts

into her woods, or a bird into her branches
each of  their coming in and going out
driven by appetite
or fatigue, tongue or loin,
beneath this sky and alongside

a quiet eye, without deciding what all
it will become as it is met
and swept off, a shovel or blade or broom
straw, the way known before the hand
takes up with the handle

with the strictest of confidences
and not a word, not a single word,
except maybe shhhh, shhhh, shhhh,
shhh, shhh, shhh;             shhh, shhh,

shhh      hhh,                              hh,   h





Thursday, December 19, 2019

the terms





the terms

The colonel praised the use of moderate electric shock.
Charles Simic

because finally
I purged myself
of the think:
I want you
again and deserve
what you do
to me again and again,
I open you long
after I’ve shut you
off as if on this
day
you’re a faucet you’re
a hot and cold mixing
valve finally fixed when
I chipped away 
the crumble
of the once
 adhering
corner on corner
spaces 
and reached between
the two
that needed
replacing
the two
I had
finally
(although this was later)
s  m  a  s  he  d

to get at you
I can’t say how
simple it was
to finally figure
I didn’t need
to stand
shivering in
the mist and trickle
of the shower
and quicken my invisible
splinters
(spinsters you'd call them)
the way I always
did that it was
it really was
a simple repair
and depending
on whose brand
I needed behind
it all
I can get off
with not having
to spend a week’s
pay to watch
some cliché
plumber come in
and diagnose me
as easy
as shit
I can do it all
myself, twist
consistently one way
to take it
out and the other
way to put it
right again.  Now
the crack
in the tile is mine
and depending on
the way the steam
rises
can be
a smile
can be
a wink
and if I join it
with the others
I didn’t put there
intentionally
I can
make
it
out
still
wet
and still
alive

Wednesday, December 11, 2019

Tell Me What is the Door to Purgatory Made Of But Your Own Belief?







Tell Me What is the Door to Purgatory Made Of But Your Own
Belief?

Help me to find what I’ve lost,
If it was ever, however briefly, mine,
You who may have found it.

                 Charles Simic
                       Mystics




Days it’s just letters the way letters loop
you know together and make words making
sense and maybe even praying  and pages
of them slide like they’re on someone’s lap
clasped by a hand a couple of fingers
a fist and the world’s coming on and going
by and wants for nothing not ever not even
needing to be seen even though look at me
here taking it all down by shape and time
and hue and heat (or not, of any of them)
of day and making it make happy or sad
or love or hate but who’s paying

attention listen I’ve gone over all the lines
all these times and brought them up like
a child is brought up from the bottom from
the very bottom of their bottom which isn’t
my bottom and can’t be and we situate even
so don’t we the way if you think on it like this
clouds begin by being drawn up and taken
to be changed and blown across the front
of us and the back of us and if they could right
straight through us and finally (briefly) set on down
in a foreign place who’s paying pray attention
round as their eyeball is or hard as

the very center of their hand when it opens
finally and the knot that’s been pearled there
is small and it’s rubbed by a thumb or a tooth
and tongue and is called to surrender to
if a thief ok a thief or a dismisser ok
a dismisser or believer ok a believer
to all whoever can take every feather
of every bird and give them their just indulgences.

Sunday, November 24, 2019

On recovery: of the bonny swan, drowned by her jealous sister




within
s. lee photo


On recovery: of the bonny swan, drowned
by her jealous sister

When the tide returns
from its other life,
bearing its adulterer’s gifts

and the wrack-plastered reef
becomes again a sunk unknown,

then we should take our leave—
                                                                Kathleen Jamie
                                                                High Water

We’d arrived the both of us exhausted and wet
from separate storms and shore battered getting past

the shoals and every bit of clothing ripped
with teeth and feet or the broke mast pole I hung

to and you you’d said for you it was an upended keel
above a water field of swans you’d say even later still when

you regained your lungs and emptied them of salt
of scaring sand scraping your throat and for that you

were voiceless longer still so you told your story
on my body when your lips were healed

enough you kissed every bruise and scab I had and
each was the bowing of the way the swans

mated when they regained the same shore we were
stranded on.  We couldn’t fly or even consider

beating our wings in acceptance or retreat but we
could lie down together and stop being

naked or stranded or even married to another
who and so far off shore and saved from the storms

that threw us overboard to drift in and through
the early migrations for you the swans for me

one solitary albatross who’d glide like calm
shadows glide and let me grasp (by now the fever

being on solid ground) her tail and slum through
the deepest months of winter until I couldn’t

and my thumbs broken and my fingers and later
waking up and being loved by a deaf-mute and who knew

better who tells me to listen how far I’d been drifting
and how close so cleverly close to taking my skin

to the flat end of the earth and hurling it off so that
turning back I am all curve and bone and the sun and the wind

have their way hardening and hollowing me.  Tis the banister
of each the clavicle and the pelvis and the hair of me

you make me boy you make me and you pull each string
through your mouth and pin with my finger bones

and thumbs and keep them fast your chin to tune to
stretch to strum and pluck and speak free of water

of skin of single each you me becoming finally we.

a hammer and my finger bones fourteen each a sweet
note each hold me hold me broken without

but at home under you strummed plucked harmonic
throat.

Wednesday, November 20, 2019

Something of Lazarus







Something of Lazarus…

The world asks of us
only the strength we have and we give it.
Then it asks more, and we give it.

                                                                The Weighing
                                                                Jane Hirshfield
                                                               
Is it possible to want nothing
in return, knowing the motive
is the only armor we have left
after salvaging the remains
of the gutted house, top
to bottom, all of it gone com-
pletely or gone enough that
needing it is only the beginning
of a melancholy we don’t know
how to negotiate?  Because I stood
there, in my burnedout house,
the wind easing in through
the broken glass living room
window (axe smashed and thick
handle or glove leveled, run
along the jamb and sill, it all
perfectly relaxed now under
my feet (heavily booted they’d
said) and everything else

broiled, rotted now to the heart-
wood, insides out, visible:  were
its true natural state all along
and we’ve just stepped in
and had the staves taken
from our eyes.  What lives
we lost or saved there temporarily: 
my mother, out of the house
with her portable green canister
of oxygen: saved.  Cat after cat
slinking from the smoke, curled
finally and together up in the tub:
lost.  It all makes itself known, taken
down on a list of what there still is
to be grateful for.  Of course

it’s all lost one way or the other. But
of course the memories are still
intact, right? Because who can lick
those but another kind of fire, or
sometimes a slow burner, in
another prison in the body
altogether, and quiet, a model
citizen.  My mother, in her ending,
was forgetting this way, and asked
for the old house the way all the lost
ask for the way home.  I’d grieved, truth

be told, for the spark itself, all that was
sentimental in the keeping
of the corporeal (even if it’s ceramic
or paper or (because some
of the harvest was in and piled
in the cellar) flesh and potatoes,
a record yield.  Lost.  Doomed to
spend their entire lives now
in the dark.  I think
of them from time to time, and when
the demolition team came to take
the old house down after all had been
gotten out, how bushel after bushel
took on the weight of that house
as everything fell upon them
from above: the charred gables,
the twenty-year old apple
tree beside my mother’s then sick-
room.  All of everything buried.
And they took it onto (into?)
themselves in the dark.  And sensing,

maybe, their end, they kept
their eyes shut to it all.  I’d like to
think that come spring, (because
there was a great heat in the earth
and some of those potatoes
must not’ve made it) there had
to have been a few at the bottom
of the barrel, a few among them,
that were saved and waited out
the winter.  That come spring they
ached to do what was in them to do:
reach and stretch and get by
every rock from the cellar wall,
every charred and buried beam,
and make it up through to sprout
in the lilac bush, flourishing
my father would says when it happened,
because they’d been able to save
that, by Jesus, they’d been able
to save that.