So strange it was
to slip away
in the stream
from the hard won
maturity,
to feel abandoned
the line spooling,
the bridge gone,
even the ground aswim,
a river going nowhere,
my hook snagging on thin air
and nothing hidden
in the flowing world
to catch, or bite, or tug again.
David Whyte
“Fishing”
While I slept and while I was awake
you were made and made and made I carried you
while you were being
made and day after day
close and away we came to be grateful
that this time maybe you would want to stay.
But there was a place in you I didn’t make
in any way but haste (even if I never knew
or never could)
I took you the day
after you were born and warm and up
under my chin you made a place
for yourself there a brand
and as fast as that they took you
away they made another cradle for you
and it was not big enough
for me and we
where once we were one skin lifting
from the tissue we were now two
and on opposite sides of the veil.
You know how when you stand at low tide
in the wet sand
and just watch the bow or the stern
or the starboard or port side
of the boat and the fog alone and maybe the water
prevents you from knowing
prevents what it is you seem to see from being
seen and if you want to see what is
coming what it is you think you see is coming
or going and you wait and wait
you wait while the water empties out
before it completely turns around and begins
and offers choices: either wait but for what and risk drowning
or turn a shoulder and walk a half a league
to go back up the beach
to see from higher ground
or to be like a Jesus and a Peter
needing sleep
needing cups dropped
needing feet beside your own
but pulling olive after olive after olive
from the tree and pressing each to your jaw
and the meat is torn from the stone
and the loath to drip oil seeps between each and squeezes between each
space in your teeth
the glistening skin
and the come undone sliver: it’s some of the pit
sharp against the gum and a flick
of the tongue it’s gone it’s all glide
down the windpipe down to the inside
of the dark
a tiny boat so like the sculpture
of Ch’en Tsu-Chang: the men at leisure
the ode on the Red Cliff
a transcription on the hull
it’s like this through time:
a garden
a sea
a teeny olive pit being
sent down
into the black blood of my body
to what?
to get lost?
to come out again?
to choose
to remain? to be
half made almost made inadequately made
(I’m ashamed) and then taken away?
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