Something of Lazarus…
The world asks of us
only the strength we have and we give it.
Then it asks more, and we give it.
The Weighing
Jane Hirshfield
Is it possible to want nothing
in return, knowing the motive
is the only armor we have left
after salvaging the remains
of the gutted house, top
to bottom, all of it gone com-
pletely or gone enough that
needing it is only the beginning
of a melancholy we don’t know
how to negotiate? Because I stood
there, in my burnedout house,
the wind easing in through
the broken glass living room
window (axe smashed and thick
handle or glove leveled, run
along the jamb and sill, it all
perfectly relaxed now under
my feet (heavily booted they’d
said) and everything else
broiled, rotted now to the heart-
wood, insides out, visible: were
its true natural state all along
and we’ve just stepped in
and had the staves taken
from our eyes. What lives
we lost or saved there temporarily:
my mother, out of the house
with her portable green canister
of oxygen: saved. Cat after cat
slinking from the smoke, curled
finally and together up in the tub:
lost. It all makes itself known, taken
down on a list of what there still is
to be grateful for. Of course
it’s all lost one way or the other. But
of course the memories are still
intact, right? Because who can lick
those but another kind of fire, or
sometimes a slow burner, in
another prison in the body
altogether, and quiet, a model
citizen. My mother, in her ending,
was forgetting this way, and asked
for the old house the way all the lost
ask for the way home. I’d grieved, truth
be told, for the spark itself, all that was
sentimental in the keeping
of the corporeal (even if it’s ceramic
or paper or (because some
of the harvest was in and piled
in the cellar) flesh and potatoes,
a record yield. Lost. Doomed to
spend their entire lives now
in the dark. I think
of them from time to time, and when
the demolition team came to take
the old house down after all had been
gotten out, how bushel after bushel
took on the weight of that house
as everything fell upon them
from above: the charred gables,
the twenty-year old apple
tree beside my mother’s then sick-
room. All of everything buried.
And they took it onto (into?)
themselves in the dark. And sensing,
maybe, their end, they kept
their eyes shut to it all. I’d like to
think that come spring, (because
there was a great heat in the earth
and some of those potatoes
must not’ve made it) there had
to have been a few at the bottom
of the barrel, a few among them,
that were saved and waited out
the winter. That come spring they
ached to do what was in them to do:
reach and stretch and get by
every rock from the cellar wall,
every charred and buried beam,
and make it up through to sprout
in the lilac bush, flourishing
my father would says when it happened,
because they’d been able to save
that, by Jesus, they’d been able
to save that.
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